I liked to look at the blood.
That blood was part of my love.
—C.P. Cavafy, “The Bandaged Shoulder”
“Sorry, this is my seat,” I say politely.
A poofy-haired Jennifer, my buddies would call her. She’s
about to sit down when I tap her on the shoulder.
She stares at me. “Whatever!” she mutters,
rolling her eyes and moving on down the aisle. The smell
of her perfume lingers, so strong I can taste it on my tongue.
Sickeningly sweet. I’d much prefer smelling James’s
pits after a hard afternoon of putting up hay.
There’s a reason I really, really want to sit here:
I can study James better. It’s one row over and a
few seats behind the spot where he customarily sits. Since
his focus is always on the teacher, he’s never caught
me harvesting him with my eyes. From this angle, I can see
his bearded face in profile, admire the thickness of his
arms, and today I even get a peek of his underwear because
he’s wearing a tight gray T-shirt that rides up when
he bends forward to pull a book from his backpack. I glimpse,
above the belt of his jeans, the white fabric of his briefs,
and, maddeningly, a tiny strip of his lower back. Just the
right place to drip a little buckwheat honey, slowly lick
it off, my tongue working through that dark sweetness down
to the taste of skin beneath.
Fat chance. I don’t how to get closer to him. We
haven’t even spoken. Only reason I know his name’s
James is that’s what he answers to when the professor
calls the roll. Despite the big curves of his arms and chest—he’s
kind enough to wear clothes that show all that off—I
never see him in the campus gym. I only see him here, in
Introduction to Appalachian Studies. It’s only the
third week of class—early September—but being
in the same room with James for seven fifty-minute class
sessions has been enough to convince me that I’d give
up my fucking soul to have him naked in my bed, my mouth
and hands all over him.
I think he’s in this class for the same reason I
am: because Appalachian Studies is a topic we can relate
to. He looks local, somehow, and the few times he’s
spoken in class, he sounds local too. Hell, for all I know,
maybe we grew up in adjoining counties. Might be that we
have a lot in common, though I’m guessing he isn’t
gay—the cosmos isn’t kind enough to allow that.
Hell, I’d settle for being beer-buddies. Anything
to spend time with him. Maybe if I got him drunk enough,
he’d even let me suck his dick.
James is scribbling on a piece of notebook paper now, and
from here it looks like a list. Then I remember that today’s
the day the professor has asked us to hand in a list of
topics we’d prefer to do our oral reports on. “Choose
five topics from this master list,” he’d directed,
“then tell me if you’d like to be partnered
with a classmate with similar interests.”
If only, I think, pulling out my list with “Appalachian
Ghost Stories” at the top. Similar interests? Like
getting really drunk with a guy, then tying him to a chair
and sucking on his tits till he screams? Not on the master
list of topics? Just my luck.
But even my sad luck can change. James finishes scribbling,
stretches his arms—the T-shirt sleeves pull back,
revealing biceps bulges so large I’m reminded of the
curve and slope of a mountain above my granddaddy’s
farm—and then, since the professor hasn’t arrived
yet, he strolls out of the room, probably for a cool sip
from the nearest water fountain.
That’s when it occurs to me. We’re fatalists,
we mountain folk, but I want to give fate a nudge, so I
stand and stretch too, show off what muscles I have to no
one in particular—I’m pretty well-built, though
not half as buff as James—then head toward the door,
as if after a drink of water too. As if water could quench
this thirst.
That’s when I peer over at the paper on his desk
and make a mental note of his list of topics. The word at
the top of the list is “Moonshine,” followed
by “Harlan County Mine Wars,” “The Dollmaker,”
and “Bluegrass Music.”
Passing James in the hall, I meet his eyes and nod. He
nods back, solemn, unsmiling. By the time I’ve had
my drink of water, the professor has walked in, unpacked
his briefcase, and asked for our topic lists. I have just
enough time to rip out another sheet of paper and write
down the topics James chose.

A week later. There’s some confusion, and, for me,
bitter suspense. At first it’s announced that James
will be partnered with Britney, who turns out to be the
perfumed, big-haired harlot who tried to take The Viewing
Seat from me. I figured that being partnered with James
in any way, shape, or form would be beyond the realm of
happenstance. Goddammit. He looks so hot today, with black
hair curling over the collar of his beige T-shirt, like
a pine forest impinging on a pasture. I can even see the
points of his nipples against his shirt, which only convinces
me that I’d take any risk to get them between my teeth.
But then Britney squeals, in high dudgeon—I haven’t
heard a sound that unnerving since my uncle castrated a
calf—and explains that she wants to be partnered with
Jenn and forgot to put that information down. So the professor
fumbles with some papers, then says, “Okay, so it’s
Britney and Jennifer on Quilting. James on Moonshine. James,
did you want a partner?” The professor starts shuffling
again, then looks up at James over his eyeglasses.
James shrugs. God, I wish my shoulders were that broad.
“Sure. That’d be fine.”
I nudged Fate. Now it nudges me back. I rub my beard, prop
one hiking boot on one knee, slide down in my chair a little
bit, and open my mouth. I’m amazed. Not only because
the voice comes from me, but because it sounds not shaky
but strong.
“I’d just as soon do Moonshine, Dr. Kinder,”
I say casually. “Sounds like more fun than the topic
I have.”
“Hmmm, okay. James and Greg. Moonshine,” mumbles
the teacher, making a note: our names, no doubt, bunched
up together, with a tight circle around them. Like barbed
wire wrapped around a fencepost. Like those heart-bound
names that lucky lovers cut together in smooth-gray trunks
of beech bark.

“Well, there’s the easy way. Real safe. Then
there’s the fun way. Kinda risky.”
James is sucking on a cigarette and mapping out our options.
There are scrawled legal-pad notes on the table and a couple
volumes from the campus library, including The Foxfire Book,
that compendium of Appalachian folklore. We’re sitting
in Champs, a sports bar, and drinking some draft Guinness
he bought. When he licks beer-foam from his moustache, I
want to grab my crotch beneath the table.
This urge is only encouraged by the stained wife-beater
he’s wearing. Chest hair tufts over the top of the
ribbed white cloth and smoulders out the sides, around the
swell of his pecs, like black smoke rolling off a wood-fire.
There’s a scorpion inked into the skin of his inner
right forearm. Thick gold hoops glimmer in each of his earlobes,
and, from what I can see through the cigarette haze and
the dim gray light typical of bars, there’s a very
small nipple ring in his left tit.
That’s the last detail I need. I fucking love pierced
tits. This partnership was a mistake. I want him so bad
I’m sick with it. Yet I’ve made my bed. I’ve
got to sit here and make conversation and talk about copper
stills and worms and sour mash and other moonshine-making
jargon.
He’s saying something about risk. Okay, Greg, concentrate.
“Now, we already got enough here for a good report,”
James drawls, an accent so much like mine. Grayson County?
Dickenson? Tazewell? He’s got to hail from somewhere
close. “But I gotta get a real fine grade in this
class to pull my GPA up, and I’m thinking that ole
Dr. Kinder would be real impressed by personal testimony,
instead of just book or online research, and since we got
a good month to work on this...”
He’s leading up to something, all right. I take a
swig of stout. He crushes out the butt of his cigarette
and lights another. I study his face in the brief flare
of the lighter. Thick black eyebrows meeting over his nose.
Long, ridiculously long, eyelashes. Close-trimmed beard,
a lot like mine.
We look a little alike, it suddenly occurs to me: same
thick dark hair, same height, same basic build. What am
I, a narcissist? Looking for a twin brother to fuck?
James lets out a sigh of smoke and closes his eyes. Then
he sits up suddenly and rummages through his backpack.
It looks like pewter, with Celtic swirls across the front
of it. James hands the flask to me and slowly I make out
the design: two bearded warriors holding between them a
flaming cup.
“Give it a try,” says James, and pushes an
empty water glass in my direction.
Ain’t much he could offer I’d turn down. Hell,
I’d drink his blood, if that was the only option.
For just a second, I see myself on my knees gulping down
his come. I want my black beard streaked with it: mistletoe
berries, spruce boughs rimed with new snow.
I tip the flask and something red runs out into the glass.
“That there’s raspberry moonshine,” James
says softly.
I look up at him, unsure. Every country boy knows bad moonshine
can kill you. Some cheap bootleggers run it through old
car radiators or dilute it with formaldehyde. You’ve
got to know it came from a reliable source before you drink
it.
“Go on, Greg. Take a taste. It’s safe. I’ll
show ya.” James pours a little out onto the table
and pulls a matchbook from his backpack.
I know what he’s going to do. Just about everyone
who grows up in the mountains knows how to test moonshine.
You light it. If it burns yellow, it’s full of impurities.
If it burns blue, it’s safe.
The match catches, and then the tiny puddle on the tabletop.
We bend over it and watch the transparent blue flame waver
between us. “See?” whispers James. I look up
at him. His face is only inches from mine. His eyes in this
light are a glistening black, like that volcanic glass I
saw in geology lab last week. He reaches across the table
and gently shoves my shoulder. “Trust me, buddy. I
ain’t gonna give you any bad booze.”
I nod and drop my eyes back to the dying flame, unable
to hold his gaze any longer. My mouth’s suddenly dry,
so I grab that convenient glass of moonshine and take a
good swig. It’s surprisingly smooth and not too sweet,
sort of like Bacardi’s rum. “Pretty fine,”
I mumble.
“Take it all,” says James, and I do.
“Good boy,” he laughs. “Most folks choke
up a little.”
“Naw,” I say. “Not me. This is easy stuff.
Not like the rusty-razor popskull I’ve had before.
Besides, I was born to swallow flame.” Something about
the sight of this big scruffy guy makes me want to break
some rules, take some chances, run a little wild.
James laughs again, nudges my knee with his beneath the
table, and then bends forward. “C’mere,”
he mutters.
Again our faces are only inches apart—I can smell
the tobacco on his lips—and for a crazy split second
I think we’ve suddenly slipped into a parallel universe
and he’s going to kiss me, but instead he says, “Here’s
the thing. I know exactly where this moonshine was made.”

Essential Steve Earle. Perfect CD tunes for two hillbilly
boys four-wheeling up and down the mountains of McCormick
County.
The road’s muddy and narrow, and leaves from the
surrounding woodland slap the side of the truck. James is
driving fast, cursing every time he hits a pothole. It’s
a beat-up Toyota pickup he bought off his Daddy, and I’m
envious. Four-wheel drive and extended cab. “This
bitch can get us anywhere,” he shouts over the music,
taking a curve so fast my stomach staggers.
Earle’s singing, “You never come back from
Copperhead Road,” which makes me a little nervous,
since he’s talking about revenuers who spied on a
moonshine still once too often, and spying on a still is
just what we’re about to do. On the other hand, James
has assured me that the still’s run by a good buddy
of James’s distant cousin Steve, so even if we’re
caught, we’ll make it back to campus alive. Besides,
to get my courage up and to tolerate being in such close
quarters with a man I want so goddamn much, I’ve been
borrowing sips from James’s flask for the last hour.
The moonshine goes down easier and easier, and it’s
hard to be afraid when you’re this buzzed.
“He’s pretty good-lookin’, isn’t
he?”
I look up, off guard. James has caught me admiring photos
of Steve Earle on the CD’s liner notes. Good-looking?
With that beard and those full lips and that long black
hippie-hair falling down over his eyes? Hell yes, he’s
good-looking. But that’s not the kind of thing a straight
guy would admit to noticing.
The bagpipe note that ends “Copperhead Road”
puts a little shiver up my spine, despite September humidity.
“Uh, yeah,” I reply. “He’s handsome.”
I hesitate, then say, “Could I have a draw off your
cigarette?”
“Sure,” says James. “Didn’t know
you smoked.”
“Uh, sometimes,” I lie. I’ve never tasted
tobacco in my life, except for one peach-flavored mouthful
of chaw my cousin shared with me last year.
“You want your own? I got a few nice hand-rolled
ones here.”
“Naw, just a few puffs off yours.” James hands
me the cigarette, and I put it between my lips, feeling
his mouth’s moisture on the paper. Jesus, I want to
kiss him. Instead, I tentatively suck in a little smoke.
Don’t want to take too much, then go off on a coughing
jag and look like a pussy.
“Very fine,” I say, then hand it back. His
mouth would taste like tobacco, booze, and raspberries.
“Shit, it’s hot,” I say, and pull off
my T-shirt. We’re both wearing boots and jeans, ready
for the spy-hike to come, and James is wearing the same
damn wife-beater he’s worn the last couple times we’ve
met—I can tell because there’s an oil stain
I’ve noticed before just under his left pec. James
doesn’t change clothes very often, it seems. He doesn’t
use deodorant much either. I can smell him from here, even
with the windows rolled down and late-summer air pouring
through the truck cab. I want to push my face in his pits,
give him a good long tongue-bath.
“You look like him, y’know,” I mumble.
I scratch the sweaty hair matting my belly and take another
sip of ‘shine from James’s Celtic flask.
“Huh? Who?”
“Steve Earle.”
“Oh. Yeah?” James swerves to avoid a mudhole,
hands me back the cigarette.
Then he looks at me. “You know, you do too.”
Our eyes hold for about three seconds, then he clears his
throat and turns up the music. Earle’s singing, “I
Ain’t Ever Satisfied.”

The truck’s parked off the road, a good ways down
the mountain, half-hidden by rhododendron thickets. James
and I have been trudging up the hill for a good half-hour,
through stands of white pine and tulip tree, where no one’s
likely to spot us.
The trees end with the hilltop, and now we’re looking
over a sloping pasture. The sun’s low in the sky,
tangerine-colored. The distant mountains are purple with
humidity haze. There’s a little house on the pasture-edge,
with a cinderblock foundation and modern-looking glossy
log sides. Reminds me of a hunting cabin my uncle used to
have. There’s an SUV parked in the muddy yard in front
of it, underneath a scraggly cigar tree.
We check out the cabin for a while, hiding behind a big
oak and looking for any sign of people or guard dogs. Then
James puts his finger to his lips and we creep closer. He’s
a brave boy: he even slips carefully up the steps and onto
the porch to peer in the windows. “Empty,” he
mouths silently, then gestures and we head over the other
side of the hill and down into a high-grass meadow.
The slope’s very steep. I can hear the purling of
water, and sure enough, here’s a brook, which we follow
through low bushes and orchard grass. After ten minutes
of descent, the sound gets louder: dull splash of a waterfall
as the stream disappears over a ledge. We crawl down slanted
rock alongside the cascade, careful on the slippery stone.
James is solicitous, steadying me, his hand on my shoulder.
“Careful!’ he whispers, grinning.
When the land levels out, James grabs me by the hand and
tugs me under the rock ledge and into cool air behind the
waterfall. He points. “Check this out!” he says
in triumph.
There, propped up on gravel, is a still, its copper gleaming
in the gloom behind the rushing band of clear water. I recognize
the basic set-up from The Foxfire Book: still-kettle leading
to worm and over into barrel, where cool water condenses
vapor into ‘shine. There’s no fire going, which
is a good sign. Despite the SUV parked up at the house,
hopefully there’s no one around.
“Gotta get some pics,” says James, pulling
a digital camera out of his backpack. “Dr. Kinder’s
gonna love this.”
I examine the still for a few minutes, touching its copper
gleam here and there, enjoying the cool created by the falling
water. Then, leaving James to take his photographs, I stride
out into the sloping meadow, where the heat recoalesces
around me. There’s a bobwhite calling somewhere. The
shadows are lengthening.
Suddenly I’m nervous. “Hurry up, James,”
I say. “Light’s running out.” He’s
angling around the still, snapping shot after shot. I tug
at a piece of broomsedge, tug off a few silky seeds, watch
them drift slowly off on the warm breeze. Will it never
cool down? A trickle of sweat slides down my side. I wish
James would take his shirt off: I want to see that nipple
ring glowing in the dying light.
Finally he’s had enough. He strides over to me, camera
strap over one shoulder, a happy grin on his face.
That’s when we hear another voice. Not the waterfall,
not the bobwhite. Someone says, “Keep real still,
boys.”
There’s a chubby man with a red beard standing only
a few feet above us, on one of the rocks alongside the waterfall.
He’s got a shotgun, and it’s pointed at our
heads.
He hops down a rock or two, surprisingly agile for such
a large man. “Why’nt you boys just put your
hands in the air?” he says, with the tone of an old
friend offering advice. “And keep yourselves real
still, ‘cause there’s an unfriendly serpent
about two feet from you.”
I grab James by the shoulder, and we look around frantically.
Yep, there it is, a fucking snake right behind us. Copperhead,
without a doubt. I push James behind me, start looking for
a rock or stick.
“Now, y’all heard me, right? Hands up, if you
please.”
Great. Hands up, and a poisonous snake at my feet. The
copperhead’s curled up, poised to strike. I back up
into James, my bare back against the wet fabric of his undershirt,
and he mutters “Holy shit” into my ear.
“Now, don’t you all worry about Matilda here,”
says the fat man, who’s only a few feet from us now.
With the barrel of his gun, he gently nudges the snake.
A few half-hearted strikes at the metal, and the copperhead
disappears into a stand of milkweeds.
“Now, all y’got to deal with is me,”
he says, pointing the gun at us with one hand and rummaging
in his back pocket with the other.
“You, boy,” he says, nodding at me.
“Me?” I croak. My throat’s dry with fear.
God, I don’t want to look like a coward in front of
James.
“Yeah, you. What’s your name?” He smiles.
Sixty or seventy pounds ago, he was a hot guy, I can’t
help but think, even as I’m trying not to piss my
pants. His chest and arms are even bigger than James’s.
I clear my throat. “Greg, Sir,” I say. Always
be polite, I hear my mother advise.
“Greg, I’m Keith.” He’s holding
something metallic toward me. Not a flask. Handcuffs. “What
say you put a pair of these on your buddy? What’s
his name?”
“Uh, James, Sir.” Tiny, cowardly tremors are
running up and down my thighs.
“James, turn around and put your hands behind your
back. Greg, cuff him.”
Keith steps up to me, the barrel of the gun in my face.
He stretches out his arm, I stretch out my arm, and the
cold metal slides into my palm.
I turn, and James is staring at me. His eyes are hard.
He wants to rush this guy.
“James, turn around,” says our captor, a little
less friendly.
“Do it, James,” I say. “Remember, you
said your cousin would help us.”
James nods. “Yeah, right. He’ll show this asshole
who’s boss.” Holding onto that likelihood, he
turns his back to me and puts his arms behind his back.
I fumble with the cuffs just a second—never handled
cuffs before—then click them around one wrist. James
sighs, hangs his head. I click on the other cuff. The thick
muscles of his arms flex and relax, flex and relax. He looks
beautiful this way, and suddenly I realize I have a hard-on.
We might die here on this mountainside, and I have a fucking
hard-on.
“Tighter,” commands Keith. “Good and
tight.” I click the cuffs up a few more ratchets.
James sucks in air and winces.
“All the way, boy,” Keith is sounding impatient.
Another couple of ratchets, till there’s no room left,
till James’s back stiffens and he groans.
Keith chuckles. “Now that sounds about right.”
The gun taps my spine. “Your turn,” says Keith.
I put my hands behind my back. There’s a rustling
of boots through broomsedge, then metal on my wrists, then
pain, as Keith tightens the cuffs till there’s only
a millimeter or two of hair and skin between the steel and
the bone.

“I’m from over Kentucky way, actually. New
around here. I never heard of your cousin.”
Keith is sipping on a Miller Lite, making himself comfortable
in a big armchair, the gun resting across one knee. James
and I are sitting side by side on the cabin’s leather
couch, trying like hell to talk our way out of this. My
hands are very, very cold. My fingers are tingling. James’s
must be too. How long after blood flow stops does gangrene
set in?
“Listen,” James tries again. “Cousin
Steve has been helping Mr. Martin run this operation for
years. You just got to call Martin and check my story. He
can call Steve, and he’ll vouch for me. We ain’t
here to turn you guys in. We just were curious. Had some
of your all’s good ‘shine and wanted to see
the still.”
He’s said all this once before, but Keith isn’t
too interested. He finishes his beer and says, “You’re
fulla shit, kid.”
“Fuck you,” says James.
Keith looks at him and smiles. He gets up, walks over to
the fridge, lays the gun on the kitchen counter, pulls out
another beer, and pops it. He tips it back and swigs. We
watch his throat pulse as the beer runs down his gullet.
Then he takes the beer can and throws it at James. It hits
him just over his left ear.
“You big, dumb, fat motherfucker! You pig-fucker!”
James shouts, on his feet. In a second and a half, he’s
got Keith pushed up against the counter and is butting his
head into the fat men’s chest.
Keith grabs James by his thick hair. He slams him against
the fridge and holds him there with the bulk of his belly.
He commences to punch James hard, once in his stomach, once
in his side, and twice in his handsome face. By the time
I’ve pushed through the paralytic shock and am on
my feet, Keith has tossed James on the floor, kicked him
in the gut, and then drawn a Bowie knife from his boot.
“You just set down, Mr. Greg,” Keith says,
rubbing his belly and waving the long knife blade my way.
He kicks James again. James doubles up and moans. Then Keith’s
boot crashes against James’s head, and James lies
still.
I’m shaking so hard it’s hard to speak. I can’t
feel my hands at all now. There’s blood all over James’s
face.
“Sir,” I say, as calmly as I can. “You’d
better check out our story. If you kill us and later it
turns out that we were telling the truth, there’ll
be hell to pay. James’s cousin Steve will track you
down. He’ll feed your liver to his hogs.”
Keith strides over and backhands me hard. I stumble backwards,
shake my head, and marigold petals drift across my vision.
He slaps me again, harder. My lip splits. I fall to my knees.
“You’re probably right,” he says. “Now
where’s my goddamned cell phone?”

James starts coming to about the time I’ve finished
tying his hands behind his back and have started into wrapping
rope around his boots. I’ve convinced Keith that he
wants us neither dead nor permanently damaged till he’s
discovered how true our story might be. He’s let me
beg for a good while before agreeing to replace the cuffs
with less cruel restraints. He’s released me, let
me uncuff out-cold James and rub the color back into his
hands a bit, before several tossed lengths of rope hit me
upside the head, and Keith directs me on how to bind my
friend.
James is lying on his back. His knees are bent. There’s
dried blood on his forehead. One eye is swollen half-shut.
Blood trickles from the corner of his mouth, blood stains
his undershirt. Even here and now I want to kiss him, I
want to lick the blood from his face. Maybe because of here
and now, since I don’t know how much longer we have
to live.
“Tighter,” growls Keith over my shoulder. I
cinch the rope around James’s ankles as tightly as
I can. James grunts, opens his eyes, and shakes his head.
He looks up at me.
“What you doing, Greg?” he mumbles.
“I’m tying you,” I say. It’s hard
to talk with a busted mouth. “We gotta stay here tonight.”
“What the fuck?” James says. He struggles a
little, finds his hands bound, rolls over onto his side,
and says, “Let me loose. Please, man. My head hurts.”
He sounds like a little boy. My eyes are suddenly wet.
Goddammit. I clear my throat. “James, we gotta stay
here tonight. Keith’s cell phone don’t work.
He’s gotta leave us here and go talk to his boss.”
A silver-gray roll of duct tape skids across the bare floor.
“Okay, Greg, think it’s time to add a good bit
of this.” The gun nudges me again, bumps down my backbone.
“Don’t want you boys to get loose and get bitten
by snakes, now do we? Them copperheads hunt after dark,
y’know. Mountainside’s crawling with them.”
“James, we’re gonna be all right. Your cousin
will probably be back here in a few hours, and he’ll
make sure we get home.”
James licks his lips. He nods. “Yeah, okay.”
“Get to the tape,” Keith says, tapping the
gun barrel on my head. “Wrists, then ankles.”
“Roll over, James,” I whisper. “Please
roll over.” James nods, rolls over on his belly, and
gives a long sigh, the way he does when he’s exhaling
smoke.
When I pull off a length of tape, the sound is loud, like
metal ripping, or a tree branch torn off by high wind. I
wrap a three-feet piece around James’s roped wrists,
and James arcs his arms up to help me. I can feel him trembling.
“More,” says Keith. I tug off another piece
of tape, and there’s that tearing sound again, so
sharp in the cabin’s silence. Countryside is so dark,
so quiet. When you get used to that, you just can’t
abide cities with their lights and their noise. I wonder
if Keith will do the digging, or untie me long enough to
do it. Will he bury us in the woods or in the cellar?
“Nice. Now his ankles. About six feet worth. I got
another couple a’ rolls if that one gives out.”
When James is finally secured to our captor’s satisfaction,
Keith opens another beer and swigs. “Want some?”
he says.
I’m on my knees beside James. I look up at Keith
and nod.
“Take the rest,” he says, handing me the half-empty
can.
“May I give him some?” I ask.
“Yeah, sure.”
James is lying on his side. I pull him up into my arms.
Who would have ever thought that a man could look this handsome
with so much blood on his face? He smells like cigarettes,
iron, and freshly-plowed earth. He’s really shaking
now. Or is that me? I hold his head in the crook of my arm
and give him small sips. “Thanks,” he mumbles.
I pour a little too fast, and James chokes a little. Beer
foams up over his split lip, drips down his bearded chin
and onto his wife-beater. “Sorry,” I say, and
wipe the beer off his chin, brush some crusted blood from
his cheek.
“Cute. You look like brothers. Or morphodites,”
Keith laughs. “One other thing, Greg, then you can
relax, ‘cause it’s about time for you to be
tied.”
I look up at Keith. He’s smiling. It would be a great
smile without the cruelty in it.
“Tear that undershirt off him,” Keith says.
I look up at him, confused. I sure as shit have been wanting
to see James bare-chested for weeks, but I doubt that Keith
is arranging all this to cater to my fantasies.
“Go on.”
I tug at the top of the undershirt, curve of white against
black chest hair, wet with blood, spilt beer, and fear-sweat.
It doesn’t give. My eyes meet James’s. I love
you, I want to say. I’m only twenty. I’ve never
said that to a man before. Now I’m wondering if I’ll
ever get the chance.
“Oh, for God’s sake. Get to it!”
The wife-beater rips straight down, like the scar a lightning
bolt leaves in an oak. “Here,” says Keith, handing
me a pocketknife. “Cut off the rest.” Carefully,
I slip the blade under cloth and sever the straps running
over James’s shoulders. I pull off the undershirt
and stare at his bare chest, the wave-swell of hairy pecs
I’ve been wanting to see, touch, and taste for weeks.
The nipple ring glitters like gold dust, brightness rimming
a lunar eclipse.
“Stuff half of it in his mouth.”
I look up at Keith. My knees are aching. “No one
will hear us all the way up here,” I say.
He slaps the slide of my head. “Just in case. I don’t
want any confabs in the basement while I’m gone.”
I stare at James. His eyes are wider than I’ve ever
seen them. He’s panting a little, starting to panic.
He licks his split lip and shakes his head.
“Open up.” Keith presses the gun’s mouth
against James’s forehead.
“C’mon, buddy. Your cousin’ll be here
soon,” I whisper.
James opens his mouth and closes his eyes. I push the fabric
in, inch by inch, till his mouth is stuffed full and his
cheeks are bulging.
“Looks like a greedy goddamn squirrel!” Keith
guffaws. “Now finish him up with tape. I’d say
about five, six feet worth.”
Four layers of tape cover James’ mouth by the time
I’m done. He gives a muffled sob, his chin pressed
against his bare chest. His shoulders start to shake violently,
he’s right on the edge of tears. I grab one arm, tip
his head up. His beard is wet in my palm. Not now. Not with
him here, I say with my stare.
“Sweet,” says Keith. “Now, put the rest
of his shirt in your mouth.”
James takes a long breath, and his trembling eases up.
I pick the other half of the wife-beater up off the floor,
ball it up, and push it between my lips until it’s
packed in tight. My split lip throbs.
“Tape yourself,” Keith says, handing me the
silver roll.
There’s that sick ripping again. What kind of sound
does a knife-blade make entering or leaving a man’s
chest? Does a body make tiny noises when it rots in the
ground? I press the end of the tape over the left corner
of my mouth, then pull it across my lips, then over my ear,
then across the back of my head. This is gonna hurt like
hell when it comes off our beards, I think.
It’s not till later, when I’m gagged as tightly
as James, when I’m bent over the back of the couch
and getting my hands roped behind me, that I realize that
the duct tape may never be removed.

This is my world now: James’s face, the cinderblock
wall behind him, and a small window at the top of that wall,
full of blackness broken occasionally by flickers of what
must be heat lightning.
We’re lying side by side, face to face, on a mattress
in the basement. Before he left, Keith dragged each of us
down the stairs, then taped us together at the feet, knees,
waists, and chests. Once we heard the car drive off, we
struggled for a good while, cursing and rolling around.
But the thought of rolling off the mattress and having to
spend the rest of our time here on the cement floor has
occurred to both of us, so our struggles have been as circumscribed
as our limbs.
I can’t see much, but my other senses are swamped.
James’s bare torso is pressed tightly against mine.
Our chest hair and sweat mingle, his rank scent fills my
nose, his gagged mouth bumps mine, his frustrated groans
fill my ears, and, occasionally, if I keep very still, I
can feel his heart beating against me. My mouth is stuffed
full of the taste of his undershirt: salt of his torso sweat,
rusty taste of his blood mixed with split beer. If I have
to die, I’ll die with the taste of James on my tongue.
It’s surprising how much two men can communicate
with their eyes, especially when those men are only inches
apart. My right arm, the one beneath me, has gone numb.
I grunt, cock my head, and we roll slowly over until we’re
resting on our other sides. We’ve been rotating like
this for hours, trying to get as comfortable as our situation
allows.
Thunder in the distance. The window lights up. In the brief
flash, I can see James’s face clearly: hair fallen
over one eye, black beard bristling over the edges of gray
tape: it’s like looking into a mirror. But there’s
an added urgency in his eyes, something I don’t understand.
“Uhhh!” James says, pushing against me. We
roll, but this time only half-way. Now I’m lying on
top of him.
He closes his eyes and shakes his head again and again.
He’s cursing softly, I think.
My cock has been hard for hours, needless to say, ever
since Keith taped us together, but in this position, stretched
out on top of James, I feel like I’m going to come
any second. I know that James can’t help but feel
my erection jammed against him, and that mortifies me, but
there’s nothing I can do about it, feeling his warmth
and his helplessness pressed against me in this forced intimacy.
But he’s distracted by something else, and the sudden
warm wetness spreading against my crotch lets me know what.
He’s pissed his pants.
“Uh uh uh!” I’m sorry.
I bump his chin with mine. He opens his eyes, shame-faced.
I shrug my shoulders and roll my eyes. Big deal, man. What
else could you do? Excuse yourself and head for the outhouse?
Under this latest humiliation, James finally breaks down.
He shouts once—“UmmmMMMMmmm!”—and
then starts to cry. I rub his gag with mine, but that doesn’t
help. I nuzzle his ear, his blood-stained, tear-wet cheeks,
and then my own tears begin. The only good thing about having
our mouths taped is that we won’t be reduced to calling
for our mothers, the way dying soldiers are said to do sometimes.
I push my face against his and let the sobs break out of
me like a spring flood.
We’re still crying when I start grinding my hard-on
against him and rubbing my chest against his. I wish I’d
had the guts to tell him how I felt about him, and now I
can’t tell him anything with any clarity. But, by
God, this side of the grave I can show him. I push my mouth
against his as if we were kissing through the tape, I rub
my mouth against the blood on his cheek as if I could lick
it off like raspberry moonshine.
James couldn’t pull away even if he wanted to, but
he apparently doesn’t want to, because he’s
nuzzling my face now, and I can feel not only his piss moistening
my jeans but his own hard-on bumping against mine. He sobs
harder, arches against me again and again. The window glimmers
once, twice—a summer storm must be moving in—and
in that intermittent illumination our eyes lock. You’re
beautiful, I want to say, try to say with wet eyes. You’re
strong and wild and brave, and you’re beautiful beneath
me. If we have to die, it’ll be side by side, and
that’ll be a better death than most.
It doesn’t take either one of us very long to shoot.
Our crotches grind together for only a couple of minutes
before James starts jerking spasmodically beneath me and
moaning. Our foreheads slam together painfully, and then
I feel my come cresting, filling my briefs with hot spurts.
James is right behind me, apparently, because now he roars
against the tape, shakes his head back and forth, slams
his hips into mine, and then goes limp.
I lie there for a full minute, tears finally run out, watching
his face lit by lightning. He looks exhausted, I feel exhausted.
Beneath all those layers of tape, he seems to be smiling.
But then it occurs to me how heavy I must feel on top of
him, so I grunt and cock my head, and we roll onto our sides.
We lie there for a few minutes just staring at one another.
Then I gently bump his tear-moist chin with mine.
“Um umm um,” I grunt. I love you. I wish he
could hear me clearly. It’s important that he know.
James arches one eyebrow. Then his eyes fill with understanding.
He nods, nestles his face against my shoulder, sighs a few
times, and soon his breathing slows with sleep.

For a second I think it was the light that woke me. It’s
orange-red sunrise, a shaft of it slanting through the basement
window and stroking James’s bruised and sleeping face.
But then I hear more car doors slam outside, and footsteps
on the porch.
James’s eyes are open now. He groans, and we both
start to shiver.
I don’t know which it will be. A circle of men around
us. Knives? No, bullets in the head. Wrapped in tarps, hauled
out into the woods. Buried together. The slow rot melding,
feeding weeds and trees. Bones spending the long night nestled
together in one grave. Let it be one grave.
Or Cousin Steve tromping down the stairs. “Jesus
Christ, James! You dumb bastard! You’ve got yourself
in a fix, boy. But we’ve talked it all out. Once y’all
are cut loose, I got some sausage and egg biscuits upstairs
and some decent coffee.”
After that, anything’s possible. What I want’s
a house together, some old farmhouse with lots of sugar
maple trees that turn orange-red in autumn, or red maples
with leaves the color of raspberry moonshine. Tying James
up gently and making love to him for hours. Sucking his
cock in the shower. The fresh-baked bread my Daddy taught
me to make, and pots of brown beans. Watching fireflies
and heat lightning out on the porch, James’s head
in my lap, his soft beard beneath my fingers.
A key rattles in the basement door. James takes a long
breath and rests his face against mine, brow to brow, mouth
to mouth. Our eyes lock and hold like clasped hands. The
door creaks open, a light’s clicked on, and heavy
boots sound on the stairs, descending into the earth.
© 2007 Jeff Mann - Contributor's
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Jeff Mann by Shane Allison